Chaudiere Books Launch at the Ottawa International Writers Festival
Hosted by rob mclennan
Ottawa International Writers Festival
Monday October 27, 8pm
Fox and Feather, 2nd Floor • 283 Elgin St.For further information on this event, and other events in this year's Ottawa International Writers Festival, click here: Ottawa’s Chaudiere Books was recently relaunched by rob mclennan and new co-publisherChristine McNair, and the Writers Festival is proud to be launching their 2014 poetry titles.A riotous assemblage of long poems focusing on the crazy years of 1920s Montparnasse—a melting pot of artists and poets. Amanda Earl’s Kiki plays with language and form, taking the familiar first-person format of journaling to streams of language to snippets of visual imagery to present the wildness of those years, focusing on the persona of Kiki de Montparnasse, a maverick who—much like the poems presented here—cut across intellectual and artistic boundaries. Sexy and smart. Read more... An incisive and playful first book exploring language and space, Singular Plurals presents us with fictive—often surreal—images encapsulated in text that is layered in meaning, playful with language and polyphonous in tone. The poems explore the irregular spaces and tangential lines that separate and connect us, sometimes by gazing from a great distance, then zooming in for the close-up shot. Roland Prevost is a winner of Bywords’ John Newlove Poetry Award and a self-described “explorer of here/now’s edge.” Singular Plurals is his first full-length book of poetry. Garden is a cycling and recycling meditation on the garden, its edges and ecologies, throughout an entire calendar year. Award-winning poet and under-performing gardener Monty Reidexplores and reinvigorates the possibilities of poetic meditation over twelve full months of his home garden in Ottawa’s east end.
Monday, October 27, 2014 at 8:00 pm
Doors Open 7:30 pm
Winnipeg Free Press Review of Kiki by Jonathan Ball
Amanda Earl's Kiki (Chaudiere, 100 pages, $20) pays homage to the chaos of Montparnasse between the world wars, and its mythical status as a sex- and drug-fuelled artistic hotbed. The book and its first long poem takes its name from Alice Ernestine Prin, a.k.a. Kiki, a celebrity of the period often celebrated as either a muse or an artist herself.
Earl offers a portrait of Kiki that suggests her splendour while taking a tragic tone. A trip to New York finds her "small in the new world. I am Alice again down the hole. // I shrink. I cannot eat what says eat me. I can only drink until I am Kiki again. Until I am back through the shattered glass." Here, Earl alludes to Carroll, while elsewhere aping Burroughs. The diversity of Earl's style elevates her attractively dark imagery, for a rich and mythic tone to match its subject.